fitting
A large quantity of resin is poured onto a flat surface, allowing it to naturally form shapes. These organic forms then serve as a base onto which more resin is layered. A crude wooden frame is forcibly pressed onto this structure and fixed in place.
If the naturally formed shape of the resin is regarded as the “true form,” the rough frame represents the human tendency to simplify things or to interpolate inaccurately. When this “true form” is substituted with elements such as the material world, human emotions, or personality, the frame corresponds to science, language, or impressions from others.

black dot
Black dots are systematically applied to a white canvas. Initially, due to surface tension, the dots appear raised, but they gradually spread and eventually merge with adjacent dots. Though the dots are placed deliberately, their final appearance emerges from chance, generating new imagery.
This suggests that humans can only approximate the material world, and that the world is not composed of absolute individual entities, but is formed through the relationships between them.
While the fitting series attempts to define the “true form” using a frame, the black dot series works in the opposite manner—extracting the true form from within predetermined shapes.